They loss the guidance and love from their parents. It causes so many victims, one of them is the children. Recently, the grade of divorce in Indonesia, especially in East Java, has increased. Satisfied that their daughter has had “all her young happiness,” the couple dies, leaving to Marmaduke the gifts (for Maud-Evelyn) that have accumulated all the while.1 Similarly satisfied, Marmaduke likewise fades away and on his death leaves the treasures to Lavinia. Determined to give Maud-Evelyn the life she missed, he becomes, by the story’s end, her fiancé, husband, and widower. Dedrick befriending this couple, Marmaduke’s life becomes more and more entwined with Maud-Evelyn, their daughter who died many years before, at age 14 or possibly 16 (no one seems sure).

His proposal of marriage rejected by Lavinia, Marmaduke travels to Switzerland, where he encounters Mr. published in the Atlantic Monthly in 1900, the tale takes as its unsettling premise the possibility of giving a dead child, in retrospect, the life she ought to have had. “Maud-Evelyn” has all the accoutrements of a ghost story except perhaps the dread that ought to accompany one: a beautiful, dead girl disconsolate parents who go to mediums rather than give her up a man who falls in love with the dead girl a woman who, having fallen in love with him, must reconcile herself to losing him to the dead and a rapt audience gathered to hear the story.

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